Post Mon Nov 05, pm I downloaded and installed the latest version and actually downloaded Reason 10 trial version. I'm getting odd error messages when I try to authorize Reason: "The link needs to be opened with an application - send to phrem" so I select that option and I get a Firefox.
Please install an app or, if one is already installed, create an association in the Default Apps Settings page. I assumed everything needed to unpack and install Reason, including phrem, authorizer etc would be included in the download. Has anyone else had this issue?
Post Tue Nov 06, am "phrem" is a protocol that tells the browser which app to launch specifically, it should launch Authorizer. It seems your Firefox install hasn't got the proper registration associations. You might want to try with another browser and see if it fixes the problem?
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How to improve Google Chrome performance. How to auto-like pictures on Facebook. Each of the channels generates a user—tweakable, flexible groove template. The result can be as subtle, funky or obvious as you like, and not only will ReGroove add the desired shuffle or syncopation, but tracks can be made to push or lay back in the groove.
Global shuffle is an option, too, and this control which can still be applied to the pattern—based devices is now in the ReGroove window. A closer look at the attractive new look of the sequencer. The new features found here move Reason closer to the sequencing facilities of DAW software. As much as we might love Reason, most of us would have to admit that the linear sequencer that lives just above the transport bar is not as well-developed as we would like.
But anything much more sophisticated has always had to be offloaded to a bigger sequencer hosting Reason in some way. That situation is now history. Power users wondering if their years of begging for tempo and time signature tracks have been heeded can let out their breath.
Next best improvements are to the sequencer track lists. Lanes also come into play when doing multiple takes of a part, as you can stack takes and choose the best bits later. Recording a new part automatically creates a highlighted clip. Such grouped data would previously have had to be created manually. New buttons enable automation recording, and data display is also different, and better.
Changes have been made to the tool bar, making drawing data much easier than before, due in some part to differences in how that data is shown on screen. Even experienced users will have to take time to get re—acquainted with this side of things, though. Want the line tool?
Editing in general has been enhanced. Remember the floating tool window? Most editing is now accessed here, including quantising which has been removed from the sequencer window , note length, velocity, transposition, legato response and tempo scaling. Detailed ReGroove parameters also have their own window. But I advise you to go beyond the automatic: RPG8 has amazing potential as a source of general control voltages.
New samples are given a key group of one semitone each, without reference to root pitch, which is just fine for banging in loops and hits from your sample library. There are also more data filters, and helpful tweaks to the programmer.
All in all, Reason 4 is a pretty fine upgrade to what was already a powerful and desirable package. Operationally, the changes to the sequencer are, now that we have them, long overdue and really help to streamline that side of the package.
Sonically, the addition of Thor means that Reason really ups its game. As powerful, tweakable, and capable of helping you achieve your sonic goals as the rest of the rack is, Thor also goes several levels deeper. I have similar feelings about the arpeggiator. The ReGroove mixer is not such a hit with me personally, though I can see how clever it is and appreciate that some will love it. Elsewhere, I can find very few negatives to this upgrade.
Serious users should budget for some form of hardware controller, since it makes the experience much more involving.
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