It also serves as a great tool for converting frame rates easily and effectively right inside of your editing timeline. Use the same options available to you inside of Compressor to achieve hardware quality conversions prior to output and skip the extra post production steps down the line.
Interlaced Video Broadcast video is often shot with interlaced fields two combed images that together form a single frame. This allows for a much more fluid interpolation of frames and yield significantly better results. The one caveat to progressive conversion is when your interlaced image has been achieved via telecine.
Telecine is the process of conforming film content for broadcast. Unlike frame rate conversion, pulldown is a non-destructive process that adds new frames to video by recombining existing frames by way of fields.
Because pulldown is non-destructive, you can actually reconform your project back to The key is to perform a Reverse Telecine on your footage. Conforming is the process of speeding up or slowing down footage to match a frame rate. This is most commonly performed when going between drop and non-drop frame rates.
Converting 25 fps material to 24 fps is exceedingly problematic. In order to smooth out the single dropped frame across your project, frame rate conversion engines have to interpolate the difference across each and every second you have, resulting in streaked, inaccurate frame blends.
Open FCP, and include both Orig. You can get to the sequence settings by right-clicking or option-clicking if you have a one button mouse on the Interim Sequence in the bin, then selecting Settings… when the popup menu comes up, then hit the General tab. Because conforming the frame rate in Cinema Tools may have made the original movie shorter due to playing each frame from the original movie at a different rate, place a copy or two more onto the timeline.
As you may recall, this is exactly the pre-step process we perform when performing a slow down of clips with Twixtor. Apply Twixtor. If you are converting from NTSC Then click on the General tab. This might mean that the original clip will not fill the resulting final frame size. That isn't what this thread is about at all. Video software tend to have very complex and idiosyncratic coding mechanisms that are not visible at the surface level, and contributing an answer as shallow as yours only indicates that you know how to read a manual, which everyone here is already capable of.
Ok, whatever. It seemed like the OP didn't know how to conform frame rates in premiere, so I explained how to do it. Doesn't interpreting the footage as 24p effectively conform it to 24p?
I know nothing about the inner workings and coding stuff with the program, but that method works fine for me. And doesn't cinema tools do the same thing, conforming footage from one frame rate to another, to get slow motion or sped up motion?
Qfag said it in his first post, but the last part about droping a 60p shot into 24p would conform it is wrong, the NLE will just drop 36 frames and make it 24p. That being said, since no one can read, this is how you conform in premier. It does the same thing as Cine tools, just inside premier and then your original clip is unchanged.
And no. Shut the fuck up. What are you guys actually using Cinema Tools to do? The only thing I've used it for is to change framerates in QT metadata as far as I know, Cinema Tools is the only application with this ability and remove pulldown which AE does really well in CS5.
I'm hesitant to believe you since you were a proponent of slowing down footage in FCP's timeline. And you're guy. After doing research I'm pretty sure Premiere does conform the footage by Right Clicking and clicking Interpret footage and changing the frame rate.
I've never had issues with Stutter when doing this And I looked around and even called adobe and was told this is what they use to conform footage in there production suite. I could be wrong, I rarely have to do this Shut up, it does the same thing.
Try it yourself. Oh yeah I just tested it, it doesn't work. I'm pretty sure you can do that in ae though. Whatever, even if it works in any type of setting, its a shitty way to do it. What part of this aren't you getting? We were all aware that Premiere is capable of slowing down footage. Whether or not it is as effective as Cinema Tools was in no way answered in your first post. Simply stating "it works for me" is meaningless considering your history of "advice," and is in no way remotely helpful to the discussion considering the fact that for every correct way there is to do something, there are a dozen wrong ways that people testify "works.
Just tried it. It seems to work okay for segments, but I'm getting crazy glitches in my footage like pixellated blocks and stepping.
In the instance that Premiere isn't being shitty and glitchy like always, I'd say this method works pretty well. But it does work as well as cine tools Yeah, but it can save time sometimes, instead of converting every clip to 24p you just convert the whole comp to it and it will conform them itself. This is an example of staying relevant to the discussion. Are you talking about just having your 60p clips play at real time but at 24fps?
No, i mean in after effects I'm pretty sure you can put in 60p footage into a comp thats another frame rate and it won't drop the extra frames, it will slow it down and make the clip longer, playing it at the frame rate of the comp, ie conforming it to the comps frame rate. Yeah sorry, I can't really say that seeing as I haven't used cinetools.
0コメント